馬格利特的《人子》以一顆懸浮的蘋果遮蔽人物面容，探討「可見與不可見」之間的矛盾與距離。本次聯名將遮蔽物轉化為台灣特有種——草鴞的身影。草鴞棲息於開闊草地與農田邊緣，行蹤低調、難以被察覺，是台灣少見且受威脅的猛禽之一，也象徵那些被忽視卻真實存在的生命。

In Magritte’s The Son of Man, a hovering apple obscures the figure’s face, exploring the tension and distance between the visible and the concealed. In this collaboration, that veil is reimagined as a Taiwanese endemic species—the grass owl. Living along open grasslands and the edges of farmland, the grass owl moves quietly and is rarely seen. As one of Taiwan’s uncommon and threatened birds of prey, it symbolizes forms of life that are often overlooked, yet undeniably present.