觀察動物時，特別被那些不與人對視的瞬間吸引。當視線移開，存在反而變得更真實、更不被打擾。這件作品刻意避開正面的凝視，把重心放在低頭的姿態與毛流的堆疊，讓形體接近一種安靜的重量。背景的水面則被處理成帶有節奏的色塊，像情緒在外部緩慢流動。這是一種關於內收與自我停留的狀態。

When observing animals, I’m drawn to moments when they are not looking back. Without eye contact, their presence feels more genuine, less interrupted. In this work, I avoided a frontal gaze and focused instead on the lowered posture and the layered texture of fur, giving the form a quiet sense of weight. The water in the background is rendered in rhythmic fragments, like emotions moving slowly on the outside.this piece is about inwardness—a moment of staying within oneself.